I’ve finally got some time opening up. If you are in need of any audio production (including tape syncs, interviewing, and editing) please don’t hesitate in contacting me.
When I was growing up in the 1980s - for those of us who were in bands - one of the coolest places to play was the all-ages spot called the Gilman Street Project. And you know what? The place has survived all this time; giving young people a safe and ‘clean’ place to play music, hang out and meet friends.
But the landlord has recently increased the rent so high that the future of this amazing resource is in immediate danger of being killed off. Do you want to make an immediate impact in the lives of young people? Donate to the Gilman Street Project! Today!!! I did…
This Bay Area Women in Film & Media event sounds like it could be interesting. It appears to be geared to people newer to sound work but worth your time none-the-less.
THE MAGIC OF SOUND:
Creating & Using Sound for
Film, Video and All Other Media Projects
(THIS EVENT IS OPEN TO BOTH MEN & WOMEN)
A Rare Look at the Various
Elements of Sound
What technology and methods are involved in creating sound?
Why is audio such a key component to a great media project?
What technology is used in both major motion pictures and smaller projects?
What does it take to get any type of music (legally & in budget!) into your project?
What should media makers know about sound before they start shooting – the do’s and don’t’s of audio in filmmaking.
WEDNESDAY, APRIL 21st
at Z Space/Theater Artaud
450 Florida Street, San Francisco from 7 – 9:30 pm
Check it out HERE.
audio equipment, audio events, audio tips, audio training, how to, internet broadcasting, internet radio
There is a documentary training intensive coming up that is well-worth your time and money. If you’re looking to learn some very strong production techniques, story-telling techniques, connect with other producers in an intimate environment, and build on your networking circle then you should definitely consider taking this 2-day intensive offered by UC Berkeley School of Journalism lecturer. I took the course about a year ago and I not only came away with a great folder of notes and information that I consistently use in my production endeavors but I made some awesome connections with other producers. I feel like it is a rare occurrence that such a worth-while course is offered so when one does come along you know it’s a real treat. Note: this is not a ProTools or other type of technical course. It is more about how to construct, manage, and complete audio documentary stories and productions. But since this is such an intimate course you can easily ask others for more technical how-to’s.
Download the flier HERE (PDF).
audio documentary, audio tips, audio training, documentary studies, how to
It appears that the San Francisco Chronicle has no room for satire in their space for public comments. This became clear when my account got banned for posting the satirical phrase, “BART…and you’re dead” beneath a story about the killing of BART (Bay Area Rapid Transit) commuter Oscar Grant. As I noted in an earlier post, the phrase is a play off of the BART advertisement “BART…and you’re there.” In my original SFgate.com post I had initially included a link the image in my blog post – I soon learned this was in violation of their “no posting of direct image links”. So, I reposted with simply the phrase “BART…and you’re dead.” I was quickly banned.
My emails to them asking for explanation have gone unanswered. I can only imagine that they think they may be liable for my playing off of a trademarked (is it?) phrase. My gawd! What has this society come to when you can’t make fun of corporate symbols and sayings?! Especially when it is in such direct context. What upsets me more is if you read many of the comments that go untouched by the SF Chronicle editors you get the feeling that you are reading a Fox News web page. Did Fox News purchase the SF Chronicle? A majority of comments left are about how people like Oscar Grant deserve what they got because they are “smelly low-lifes”. I guess it boils down to this, I don’t see how a thoughtful piece of satirical shenanigans is worse than mean-spirited, reactionary and often racist nonsense. Oh well, I guess that’s why I don’t subscribe to the Chronicle and suggest you don’t either.
For solid news and analysis and then some:
With all these electronic devices being such a central tool in media work how do we keep them charged?! Batteries are fairly toxic and using one-use types is a poor environmental choice for everyday use. Here’s a link to a site that has some good advice on recharging:
http://www.batteryuniversity.com/partone-21.htm
Happy Charging!
Culture jamming – imho – is best seen by the works created by the minds that are the Billboard Liberation Front. By subtlety modifying advertisements in the public space, these “culture jammers” express an opinion about how they feel about the public space being inundated with advertisements (so-called “a-political” advertisements). Letting advertisers take up massive amounts of space creates an environment where it becomes increasingly more impossible (read too expensive) for artistic and political voices to have a place in the public sphere to express themselves – freedom of speech is effectively taken away by the fact that in order to adequately speak you have to have millions of dollars.
Another point to remember is that advertising is NOT a-political; rather it is a HIGHLY political medium (capitalism is about as political as you can get, right?!).
So, culture jammers see our common public sphere being acquired by private, political interests and this acquisition is at the expense of cultural interests that reside outside of capital. I totally agree and love the idea of re-interpreting advertisements and putting them back out into the public. I can’t say I’m as good as the folks at BLF but, personally, I don’t really think it’s about “being good”. 
About the image. The public transportation train in the SF Bay ARea is called BART (Bay Area Rapid Transit) and their police force has committed some serious blunders in their time but most recently they went over the edge. One night on the train there was a ruckus and the police took some people aside for questioning and felt one (Oscar Grant) was being uncooperative. So one of the officers forced Oscar to the ground and while Oscar lay face down on the concrete, with his arm twisted behind him, the cop proceeded to shoot him in the back. Dead. This whole scene was caught on video from various sources and no where is it clear that Oscar was ever resisting nor was his behavior warranting the use of a taser (the weapon the cop says he was intending to go for). Anyway, it’s a really, really sad story of which BART has not really made any significant changes that people can see. I mean they haven’t shot anyone lately so I reckon that’s a good thing. But when I saw BART’s new “…and you’re there” advertisements the first thing that came to mind was the above image. Not a masterpiece but you get the point.
Here’s an older image of mine. One in which I received my very own cease-and-desist letter from those wonderfully wealthy corporate attorneys at BofA…
[original BART image; BART video; original BofA advert]
Activism, capitalism, entertainment, news, politics, the media
I’ve got a couple of events that might be of interest for those in the SF Bay Area. One is audio focused (music) and the other is a little less but I think it’s very applicable for anybody working in the art or media field.
Switchboard Music Festival 2010: The third annual Switchboard Music Festival is an 8-hour, non- stop music spectacle presenting composers and musicians who push the boundaries of their respective genres. No other Bay Area music festival or concert series offers such an eclectic, genre-crossing, convention-breaking, bastardizing group of experimentalists, innovators, and musical omnivores in a single event.
Sunday, 28 March, 2010
02:00 PM – 11:00 PM
Cost:
$10 – $40 sliding scale
Venue:
Dance Mission
3316 24th Street at Mission
San Francisco, CA
Artist Talk: Right Here Right Now: [NOT HAPPENING - SEE COMMENT] How do we engage with art in an immediate, unmediated way? Through choreography and composition, 2009 AIRs Kara Davis and Aaron Ximm both work toward the specific goal of creating immediate experiences that absorb, capture and immerse their audiences. Davis is a dancer and choreographer who pushes the possibilities of improvisation and ignores the traditional boundaries between audience and performer. Ximm creates intimate, site-specific sound installations that translate fleeting moments captured by field recordings into present experiences. This program is a unique opportunity to engage with performance and experiential installation created by Davis and Ximm in response to their surroundings at Headlands.
Sunday, 29 August, 2010
07:30 PM – 09:00 PM
Cost:
Free
Venue:
Headlands Center for the Arts
944 Fort Barry
Sausalito, CA 94965
I have to admit, I felt pretty bitter after not getting any favorable responses from a recent story pitch I sent to several radio programs. I know, I know, it’s all about ‘volumizing’ your pitching; that is, pitch lots of ideas and as often as possible because only a small percent will actually get picked up at any given time. I understand that and see the logic but that doesn’t take my bitterness away or answer the nagging question, is there a better way? Anyway, instead of dwelling on all that I just kept pushing with the story and now it’s taking on a new life. So, we’ll see what happens next in the process but it’s sounding good. The new wrinkle? I just got hired full-time for some rather mundane but good-paying, temporary, office work. The folks at the company are great so it’s a good thing…but now I ain’t got the time I had when I started this project. Oh life, you just love to be complicated don’t you? 
Forward Ever!
audio documentary, audio tips, audio training, documentary studies, the media
The Reynolds Center for Business Journalism once again proves that not all free online courses are created equal. A couple of months back I completed a course through them titled ‘How to be an Entrepreneur as a Business Journalist‘ and was impressed by how solid the series of courses was. Today I started another free course titled, ‘Investigative Business Journalism’ and it’s promising to be more of the same quality. My understanding is that the Center received some funding to conduct a series of free, on-going workshops to help further the professionalism of up-and-coming business journalists. It’s a wonderful idea that they have executed perfectly (imho); That is, they don’t appear to be holding anything back in order to hook you into buying “premium” content (the popular Freemium model). Rather, they honestly seem to be offering free, premium content and really want to better the field of business journalism. It is really surprising, at least to me, to see people acting so selflessly in the society we live in. The almighty dollar seems to consistently corrupt most any thought of furthering the human endeavor without a bottom line…but then comes courses like this.
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